Wednesday, May 6, 2015
Ethnography Project English 1302: Photography
During the semester of Spring 2015 I was assigned the project of studying a subculture that I had an interest in. Studying photography is another way of studying someone’s ideals, emotions and personalities just as some paintings are the reflections of the painter’s emotions. Behind each type of photography is a style and technique which makes each photographers work unique. Also used as a styling technique is post editing and restyling. When shooting in studio there are many factors that create the style and feeling of the photos such as camera angle, lighting position, colors, subjects and the amount of lighting and the recreation of scenes. It also depends on rather the photographer shoots in the style of candid or they create the sets. These aspects make studio photography differ from others because in other style their usually is not as much control over the scene and the lighting which in turn can make studio photography easier or harder depending on what your goal is. I studied portrait photography and the different techniques that photographers use and some of their motives used behind their studio setups. I also studied the communication styles used between the photographers and the way they interacted with the subjects. As a sub study, I also looked at the different types of photography such as analog photography and darkroom printing. I chose portrait photography because it is the type of photography that I am the least familiar with and also is usually the most widely adopted form of photography as far as photographing people goes. This is a project created for English 1302 at Texas A&M University-Commerce for a course taught by Jennifer Jones.
Final Ethnography: Life through the Lens
My research was on the topic of photography, more in
particular studio photography. I chose this site because photography has
evolved in many ways over the decades since its invention and it is an art form
that is ever evolving with different visions and techniques of the
photographers. With being a photographer there are techniques that will be a
given but with each photographer, there are different visions which is what I wanted
to study. I do mostly outdoor photography so I wanted to study the studio
aspect of photography. A big part of studio photography, actually its 90% of
studio photography, it makes the photograph. I wanted to learn how different
types of lighting effect the photograph. I also wanted to conduct research on
the techniques that are used in a studio.
Photography is an interesting and very complex hobby and
profession that requires an extensive amount of knowledge and technique to
create an image that grabs the attention of others. I chose photography being
there are many different forms of photography from informal selfies to family
portraits to professional photo-shoots. Also there are inventions and ever
evolving techniques and technologies that create a new perspective in the world
of photography. As I am considered a professional photographer, being licensed
in post editing and owning my own equipment, I am very knowledgeable about
photography but it is still ever evolving and I am still young so there is
plenty left to learn about photography. I want to research many of the
different variables in photography and the different techniques that are used
amongst others to create the photos that they want to achieve. Photography is
everywhere, my site will be in studio, candid photography and also photography
outdoors.
I became interested in photography at a very young age.
As a kid my family and I traveled a lot, so much to the point where you began
to forget some of the places you went and events that happened during that trip
and I began to want to document these moments. Photographers know that yes you
may have your own technique but it’s a learning hobby. You can create new forms
of your own photography by taking stylistic examples and techniques from other
photographers. I want to discover some of the most popular techniques used and
also discover techniques that aren’t that popular, if any. Also I will delve
into finding different factors that influence the way someone photographs
whether it be comfort, artistic efforts, where they are from, geographic
location and style of photography.
I will conduct my research by observing other
photographers in many different settings and use photographers who have
different goals and compare them to get the “outsider” view. Furthermore I will
take many techniques and styles into consideration and compare them with my own
style of photography giving the “insider” perspective of photography.
Observation versus doing. There isn’t per say a way to “serve the community” but
because there is a niche of people who value photography as an art and can see
the efforts put into the photographs, the works of art can be displayed to the
community but I don’t intend to showcase the works to the community other than
to get opinions by other photographers about styles and techniques.
Photography has a large community within society
furthermore within the professional community and pop culture with millions of
photos being taken every day for pleasure, showcasing and advertisements. It
requires a literacy that you will learn nowhere else except for slightly in
Video/Audio but there are still aspects between video and photography that
persist to differ.
Photography
is highly related to drawings and literature because it is a way for groups to
express themselves. Photography is a way of communicating visually and requires
a literacy further than just looking at the picture to be able to understand
the message that is being conveyed in the photograph. Also using the settings
on the camera and understanding how they work requires research, understanding
and experimentation especially with some of the older or alternative methods
other than digital photography. Looking into the alternative methods of
photography, I can research how these methods are conducted and why they are
being used or preferred compared to digital photography. Everyone looks at some
sort of photography every day, therefore this research will create a greater
understanding and give others a greater understanding of how much effort is
being put into photographic processes.
Photography has no single place to study, but with
focusing on studio photography, I conducted my research in the classrooms/studios
of Texas A&M University Commerce. There are many different forms of photography
that are focus areas in the photography program. It consists of anything from
studio photography to photo printing techniques which for the most part all
take place in the journalism building.
Once
looking for the photography building you wouldn’t be able to guess which of the
buildings the photography classes are held in but once you look at the
principles of photography, you would actually be able to narrow it down to a
few buildings. The photography classes are held in the journalism building on
the third floor. A floor with no windows which in studio photography and
darkroom techniques is a must have for quality work. When you walk into the
journalism building it looks as if it were any regular class hall. Once you
begin to embark up the staircase you are met with a sense that you have either
walked to New England and have set foot on the staircase leading down to the
subway or you have just stepped foot into a bath house. The stairs are a plain
grayish-brown concrete and the walls are a fresh snow white one inch by one
inch tile, something you normally see in bath houses or a subway, all it was
missing was graffiti. The echo of your steps against the tile provide an almost
dramatic soundtrack to introduce something great.
Once
you reach the third floor the appearance goes back to a “regular class hall”
but the walls are littered with student work; photographs, technique tips,
cameras set on shelves, cautions and sayings. Greeted with “can I help you find
something” as soon as I stepped amongst the photography jungle, I could only
assume that it was that obvious I had never been there before. The guy was
obviously of some importance as he was manning the equipment checkout room.
Bypassing their security check, I continued down the hallway that was about the
length of a football field with rooms on the left and right with many doors
closed and many doors open sparsely populated with students conducting their
work in them. In the hallway the lights were on but there was not one of the
rooms to my left or right with the overhead lights on. The only light that
could be seen was deep within the rooms, they were typically dimly lit with
areas of light like a secret shrine in the basement of a house. Each one of
these sources of light were the different projects being artificially lit with
many different kinds of lamps to give different types of lighting to the scenes
that are being created. Near the end of the hallway there is a lobby area on
the left that almost makes you feel like you are taking a power trip back to
the early 90’s where you can see the progression of camera technology.
Decorating the walls are cinematic and photographic cameras of many different
time periods, and with them all looking like they haven’t been touched in years
makes you wonder if they are still functional.
In
the last room on the left right before the lobby area, a guy named Cooper asked
for help taking some of his photos. The room was a room behind a room filled
with stands called tripods for many different types of equipment. In the room
where cooper was, he had set the room to look like a work studio for
photography which was the scene for the photographs. With having everything set
up he only required a simple push of a button. This process continued for
almost an hour whereas I began to ask, what was he trying to do after taking
hundreds of photos the exact same way? Cooper stated that he was trying to
create a real looking scene that portrayed a distressed student who had been
working very hard and he was trying to perfect this look.
After
this process was done, I asked to explore the rooms and he assured it was okay.
There was a door on the left wall in the room that led to a large even darker
room with professional lights hanging from the ceiling, the walls painted pure
black and thick curtains hanging from the ceiling to floor creating 3 different
workspaces in one large dark room that spanned the whole left side of the third
floor of this building. The rooms smelled like a mixture of cloth from the
curtains, sitting dust over time, and a small hint of paint. In the first
workspace a girl was working with a setup that reminded me of an aged
advertisement. Not sure of her goal I could only assume she was creating a
scene to showcase the make-up bag of juicy couture and some of their make-up.
She was nice and easy to approach when asking about her work and she proceeded
to ask for criticism on her work as learned by Cooper, criticism is the best
way to learn what works in photography because you are presenting to viewers.
The second space was empty and in the third another girl had created a scene
which looked as if it was a passed veteran’s memorabilia. Pacing quickly around
her work making swift adjustments, once she sensed my presence she immediately
asked for my help once again just pressing the button on the camera to take the
picture. I hesitantly agreed and took the photo. As I stepped back she looked
at the photo then back to the scene and adjusted some of the props. As I was
there to observe I wasn’t expecting much involvement but with a sense of
urgency and dependence she asked if I could take the picture again. She was
satisfied with the second but continued to work on the same scene. The work
ethic of all the photographers gave a sense of importance to these scenes and
were working with a very straightforward vision that they wanted to create. It
almost seemed as if their grade depended on these projects but none of them had
any correlation other than them all being created in a studio rather than
outside. With many independent projects taking place and classes being held in
other rooms it sounds as if you’re in a plaza of photographers, you hear the
mixture of communication of photographers and their subjects and the sound of
the shutters of cameras and the lamps of the lighting flashing with every click
of the shutter. You also hear the pupils in silence listening to their
instructors only to await their time when they can begin their own work.
Within
photography you can see many different art forms ranging from stereotypical
portraiture to body painted subjects to makeshift advertisements and original
creations. With so many different techniques and values of different
conventional and abstract photography, you can almost identify a person’s
personality by the way they shoot and what they shoot. This is the way a
person’s mood, feelings and vision can be expressed through photography.
I
worked with photographers because they have a large variety of art styles and
thought processes. When conducting my research I wanted to find if different
factors influence photographic styles. In guidance of the American
Anthropological Association, I will be basing my Code of Ethics. In my research
because most photographers are freelance, there is no “guidance” from someone
else. Availability to confer with the photographers is solely based on their
schedules. I attempted to conduct my research in all different types of weather
and conditions to observe thoroughly the process’ that are taken during
photography. Accessing different photographers and their processes was
conducted respectfully and only with the permission of there said
photographers. Permissions were identified by each participant signing a
consent form. I plan on observing photographers passively and undisturbed to make
sure none of the processes are hindered. I will be observing as an “insider”
but because of the passive observation, my position will not have any influence
on my studies. To fairly observe, one of every factor of person and type of
photography will be observed. Interviewers could possibly learn from the
research or even notice something they do different compared to others. To
ethically mind others privacy and work, all work, names, and information will
be properly mined to the observed. No data was stored other than the
information that is collected in interview and also what is observed.
Because
of the nature of photography, working in the field can require working with
others as they are usually the subjects but also does not exclude non-human
animals and nature. Photographers must be aware that different cultures may not
allow photographs or see it as a sign of disrespect, or that the flash of the
camera and different materials may harm living organism in a sort of way.
Therefore photographers must be sensitive to the cultures and environments that
they are attempting to document to remain ethical in whichever sense. Working
In a field of such involvement with many different rights and responsibilities,
it may be inevitable for a misunderstanding, conflicts, and the need to make
arduous choices will occur. Photographers are responsible for having the proper
professionalism and permissions although sometimes those boundaries may be
pushed to document candidly. However they are still expected to confine to a
compatible form of the principles to minimize ethical hardships. These
principles provide photographers with tools to engage in developing and
maintaining an ethical framework for all stages of the photographic process –
when making decisions prior to beginning projects, when shooting, and when
reviewing and exhibiting their photographs and preserving those records.
In
my research I found that staging and lighting for studio photography is a main
aspect of creating good work but I found out that although the photographers
have a vision, they look to others for opinions to help perfect their visions.
They still keep their original ideas but take input from others to better suit
the general public rather than themselves because after all, the public is who
will be looking at their photographs.
After
all, nothing in the research of studio photography really surprised me but what
did intrigue me was the openness to interpretation and alteration by outsiders
to a photographers work. Outside influence and alteration is a major part of
creating the best work. It also intrigues me that since studio photography is
all staged, you could create any scene with props and lighting whereas
landscape photography is usually candid. I realized in my research that photography
is a social skill of being able to communicate through your art to others
trying to convey a message through a scene. I see studio photography much
different the other aspects of photography that I am more familiar with because
in studio photography you are in control of what is happening and can easily
alter what is being produced in the photography by having almost if not 100%
control of what is going on.
WA4 Observing the Art of Optics
Photography has no single place to
study, but I will conduct my research in the classrooms of Texas A&M
University Commerce. There are many different forms of photography that are
focus areas in the photography program. It consists of anything from studio
photography to photo printing techniques.
Once looking for the photography building
you wouldn’t be able to guess which of the buildings the photography classes
are held in but once you look at the principles of photography, you would
actually be able to narrow it down to a few buildings. The photography classes
are held in the journalism building on the third floor. A floor with no windows
which in studio photography and darkroom techniques is a must have for quality
work. When you walk into the journalism building it looks as if it were any
regular class hall. Once you begin to embark up the staircase you are met with
a sense that you have either walked to New England and have set foot on the
staircase leading down to the subway or you have just stepped foot into a bath
house. The stairs are a plain grayish-brown concrete and the walls are a fresh
snow white one inch by one inch tile, something you normally see in bath houses
or a subway, all it was missing was graffiti. The echo of your steps against
the tile provide an almost dramatic soundtrack to introduce something great.
Once you reach the third floor the
appearance goes back to a “regular class hall” but the walls are littered with
student work; photographs, technique tips, cameras set on shelves, cautions and
sayings. Greeted with “can I help you find something” as soon as I stepped
amongst the photography jungle, I could only assume that it was that obvious I
had never been there before. The guy was obviously of some importance as he was
manning the equipment checkout room. Bypassing their security check, I
continued down the hallway that was about the length of a football field with
rooms on the left and right with many doors closed and many doors open sparsely
populated with students conducting their work in them. In the hallway the
lights were on but there was not one of the rooms to my left or right with the
overhead lights on. The only light that could be seen was deep within the
rooms, they were typically dimly lit with areas of light like a secret shrine
in the basement of a house. Each one of these
sources of light were the different projects being artificially lit with many
different kinds of lamps to give different types of lighting to the scenes that
are being created. Near the end of the hallway
there is a lobby area on the left that almost makes you feel like you are
taking a power trip back to the early 90’s where you can see the progression of
camera technology. Decorating the walls are cinematic and photographic cameras
of many different time periods, and with them all looking like they haven’t
been touched in years makes you wonder if they are still functional.
In the last room on the left right before
the lobby area, a guy named Cooper asked for help taking some of his photos.
The room was a room behind a room filled with stands called tripods for many
different types of equipment. In the room where cooper was, he had set the room
to look like a work studio for photography which was the scene for the
photographs. With having everything set up he only required a simple push of a
button. This process continued for almost an hour whereas I began to ask, what
was he trying to do after taking hundreds of photos the exact same way? Cooper
stated that he was trying to create a real looking scene that portrayed a
distressed student who had been working very hard and he was trying to perfect
this look.
After this process was done, I asked to
explore the rooms and he assured it was okay. There was a door on the left wall
in the room that led to a large even darker room with professional lights
hanging from the ceiling, the walls painted pure black and thick curtains
hanging from the ceiling to floor creating 3 different workspaces in one large
dark room that spanned the whole left side of the third floor of this building.
The rooms smelled like a mixture of cloth from the curtains, sitting dust over
time, and a small hint of paint. In the first workspace a girl was working with
a setup that reminded me of an aged advertisement. Not sure of her goal I could
only assume she was creating a scene to showcase the make-up bag of juicy
couture and some of their make-up. She was nice and easy to approach when
asking about her work and she proceeded to ask for criticism on her work as
learned by Cooper, criticism is the best way to learn what works in photography
because you are presenting to viewers. The second space was empty and in the
third another girl had created a scene which looked as if it was a passed
veteran’s memorabilia. Pacing quickly around her work making swift adjustments,
once she sensed my presence she immediately asked for my help once again just
pressing the button on the camera to take the picture. I hesitantly agreed and
took the photo. As I stepped back she looked at the photo then back to the
scene and adjusted some of the props. As I was there to observe I wasn’t
expecting much involvement but with a sense of urgency and dependence she asked
if I could take the picture again. She was satisfied with the second but
continued to work on the same scene. The work ethic of all the photographers
gave a sense of importance to these scenes and were working with a very
straightforward vision that they wanted to create. It almost seemed as if their
grade depended on these projects but none of them had any correlation other
than them all being created in a studio rather than outside. With many
independent projects taking place and classes being held in other rooms it
sounds as if you’re in a plaza of photographers, you hear the mixture of
communication of photographers and their subjects and the sound of the shutters
of cameras and the lamps of the lighting flashing with every click of the
shutter. You also hear the pupils in silence listening to their instructors
only to await their time when they can begin their own work.
Within photography you can see many
different art forms ranging from stereotypical portraiture to body painted
subjects to makeshift advertisements and original creations. With so many different techniques and values of
different conventional and abstract photography, you can almost identify a
person’s personality by the way they shoot and what they shoot. This is the way
a person’s mood, feelings and vision can be expressed through photography.
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